The lovely actress and model Rebecca Monroe has been working with me recently on a portfolio update which we’ve done in several shoots both in the studio and outdoors on location. I always enjoy an opportunity to experiment with new techniques and locations. This particular shoot was on a chilly, grey, autumnal day in Stanmer Park with a beautiful hired dress, and I tried out my cheap Zeikos fisheye adapter whose low-quality optics lent an unworldly Lomographyesque quality to some of the shots. Rebecca was delighted with them.
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With summer here, loads of barbecues, weddings and parties happening every weekend, plus all those lovely holiday photo opportunities, I thought I’d drop you a quick tip to help you get the best from your camera. Whatever camera you use, it’ll probably have a flash… and chances are at the moment you only use that flash at night or indoors. So here’s how you can get better results, sometimes even stunning images, using your camera’s flash by day. The problem with all this sunlight is that it comes from a bright point source (remember your GCSE physics) that casts sharp shadows across the face. From any direction this will cause problems with faces – if it’s directly overhead, you get bright forehead & cheeks, with dark eyes. If it’s behind, then you get dark face or whited out sky because the camera can’t capture that wide a range of lighting conditions. Even if the sun is in front of your subject, it makes them squint which still ruins the photo. The solution – turn on your flash and take the photo with the light coming from slightly behind and to the side of your subject.


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